The Toronto beat maker follows up his trilogy of atmospheric Jazz drenched EPs for London label Jus Like Music Records with an album of unreleased tracks, b-sides and remixes.
There’s something a little melancholy about the music of Jesse Futerman. Whether it’s the siren calls of long forgotten Jazz divas excavated from the past that are often so richly sampled, or rather the moods that he creates with each additional layer of instrumentation, Futerman’s work is deep. Rooted in hip-hop, but with flourishes of soul, Jazz and electronica, the producer has already crafted three exquisite EPs for the Jus Like Music imprint and here he closes out this particular chapter of his work with the release of ‘Hidden Basement’, a ten-track exploration of previously unreleased beats.
At just over 30 minutes in length, it’s a short but engaging listen, one bubbling with a traditional hip-hop sensibility but twisted in way that somehow makes the end result sound otherworldly. In the process of constructing his tracks, Futerman pulls from a variety of sources to elaborate on the ethereal vibe he very often creates, a crisp kick drum or snare pushed front and centre in the mix to bring that little bit of bite to each piece. The first five tracks very much tread the same route, beat-driven downtempo sounds rich with samples derived from dusty old jazz records, film dialogue and a touch of psychedelic folk in places. The results are well produced and glide effortlessly along but it’s not until the producer pairs with Toronto associate Deebs
on the excellent ‘Lonely Soul’
that we get a little something different, handclaps and a Moroder-esque synth workout pushing things in an almost nu-disco direction. There’s further experiments in four to the floor territory as ‘I Don’t Go Out Very Often’
turns into memorable late night jam heavily inspired by the late Terry Callier
, while the all too brief ‘Futureman’
is perhaps the most straight ahead take on house with its analog synths and bassline throb. A pair of remixes close out the set, both firmly planted in beat territory, Kidkanevil
dropping a tasty reflip of ‘A Good Man Is Gone’
(originally released on Futerman’s ‘Super Basement’ EP
) while Ryan Hemsworth
reworks the previously unreleased ‘Santiago’
into a bass heavy monster.
Overall it’s another inviting glimpse into the world of the producer and his ongoing experiments, and with a release forthcoming on the R&S affiliated Apollo Records, the future looks bright for the young Canadian. Stream the album below and head on over to Bandcamp to name your price.
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