Detroit

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Charlotte OC

It seems Detroit protagonist Kenny Dixon Jr AKA Moodymann has been spreading his A&R net a little wider than usual of late, surpassing the talent pool of The Motor City and heading transatlantic to pick up some serious up and comers.

First on the agenda was young London producer Dan Shake, who after meeting Dixon Jr. at last year’s Dimensions Festival and handing him a demo CD, has recently achieved the unlikely accolade of being the first non-Detroit artist to have their work (let alone their debut release) put out on Moodymann’s much revered Mahogani Music.

Now it appears it’s the turn of the Blackburn-born singer songwriter Charlotte OC, who this week finds herself sitting on the producer’s other, perhaps more legendary KDJ imprint, with not one but two Moodymann remixes of her current song ‘Hangover’.

Originally released last November as part of her ‘Colour My Heart’ EP, the original version of ‘Hangover’ (peep the official video below) is a seductive wander through new R&B influenced pop territory, OC carrying a rootsy vocal not too dissimilar to Lana Del Ray in range (an artist who has also received the Detroit touch of late on Moody’s ‘Born 2 Die’). In Dixon Jr’s hand though, things are of a slightly different hue. The digital exclusive ‘Moody Guevara Remix’, nod to Argentine Marxist revolutionaries withstanding, is amped up with raucous yelps, a beefier bass line, elastic drums and clever use of effects to produce a proper 313 banger, ringing out the more sultry aspects of OC’s vocal to really accentuate the feeling of the song. On the more electronic ‘Moodymann Mix’, which forms the basis of  the b-side of the soon to be released KDJ-45 twelve, he takes snatches of the original vocal and loops and chops his way to a slow-building, hypnotic stomper that more than matches his recent work.

It goes without saying that the pricing of some Detroit releases tend to owe more to market forces than actual physical demand, so it seems a good thing that Dixon Jr. has sought to join the Bandcamp revolution. Both this release, and his most recent (well-received) self-titled album in expanded form are available to download on the platform, and for those of you who may not be fussed about format, it seems the most cost effective way to secure the music moving forward.

For the hardcore vinyl heads amongst us however  there’s still an incentive to wait for the vinyl. The new  KDJ-45 will also feature an exclusive Moodymix of album highlight ‘Sloppy Cosmic’, the moody one vibing with George Clinton and Amp Fiddler in the studio and cutting up the master tapes from the original 1973 release.

Preview the ‘Hangover EP’ in full below and decide for yourself whether to part with your hard earned. It’s already in the Soul-Identity bag.

Charles Trees

Following the release of his extended set of electronic gems on Christmas Eve last year, Ann Arbour producer Charles Trees once again steps into the limelight with a new EP on Madrid’s suitably eclectic Lovemonk.

Enter stage left Charles Trees, so far a pretty likeable character out of Ann Arbour, Michigan, a state that single-handedly seems to have a stronghold on our writing of late. Truth be told this post had already been half written before the full samples of his new six-track EP had even been unearthed. There was just something totally irresistible about the title track “Rootwork” which had us hooked when it turned up in our music stream on Bandcamp earlier this month (shout to Mike Guerreri on that one). A unique mix of spaced out jazz, sax, electronic badness and 303 bass lines, it’s five and a half minutes of totally original music, all twists and turns – oh and it bangs HARD. That’s Dan Bennett on baritone sax (you may have already heard his work previously as part of the band Nomo) and we presume Mr Trees on all other machinery.

Thankfully it turns out the EP isn’t just a one-tracker as the Trees has a talent for constructing slow building jams that approach the age old problem of ‘genre’ in such a haphazard way, that things just seem to end up sonically pleasing. Take “Exodus” for instance, a tune which at the start bears more than a passing resemblance to a drum circle attempting to recreate a beatdown track, before a heavy kick punctuates the groove and we go off in search of that dark corner in the disco, next to the speaker stack. “Get Advanced” is what you would call futuristic hip hop if Konono No. 1 happened to employ a DJ, Detroit rapper, poet and Egyptologist Intricate Dialect effortlessly spitting lyrics over a distorted wall of percussion and acidic stabs. Then there’s the final of Tree’s four productions here, “What’s Next”, a shimmering, celestial build that breaks out into the most delicious of synthed out boogie cuts, the aforementioned Mr Bennett returning to add a little further sax spice in the second half.

The EP is rounded off with two very different remixes from Madrid’s very own veteran techno producer DJ F and fellow Ann Arbour native Shigeto. On his “DJ F Restructure”,  F strips away the organic feel of “Rootdown” and concentrates on building a fairly angular piece of house, all tripped out keys, breaks and mechanical beats, while Shigeto sets about contorting “What’s  Left” into an extended 9 minute behemoth, ramping up the original’s atmospherics before unleashing a driving slab of deep techno.

The EP is out today digitally and you can download it direct via Bandcamp. There’s also a 12″ floating about in all your usual spots (always nice to know). Try before you buy below!

Two Armadillos - People of The World EP

Here’s the second selection in a series of three mixtapes to help get you in the mood for this month’s midsummer boat party on June 23rd. Resident Rob Coley steps up to the plate to deliver a swift 40 minute set of some of the sounds you’re likely to hear on the top deck, as he kicks off proceedings on the day and is joined by Dan Beaumont (Jam Factory / Dalston Superstore) and young Italian house producer Nicholas (No More Hits / 4Lux / Needwant). Strictly underground house and deep disco on this one and (mostly) taken from the original vinyl, we get tracks from the likes of Two Armadillos,Delano SmithRick WadeBraxton HolmesNicholas (of course!), Tom Trago and a host of other cats.

Check it out and if you’d like to join us on the day for just over 11 hours of music-related madness, visit Resident Advisor to pick up your ticket http://bit.ly/HHa08f.

Soul-Identity Boat Party 2012 Warm Up Mix #2: Rob Coley (Soul-Identity) by Soul-Identity Music on Mixcloud

Terrence Dixon - Room 310 (Upperground Orchestra Supreme Present Mix)

Rough mix completed about a week ago, just some of my current faves and rediscoveries on a house tip.

Approximate tracklist with some other bits thrown in between

Terrence Dixon – Room 310 (Upperground Orchestra Supreme Present Mix)
Delano Smith – In Limbo
Tony Lionni – Positive Vibration
Happyhead Digital Love Thing (Underground MK Mix)
Jackson and his Computer Band – Jackson ? Track (Remix)
Pepe Bradock – Burning Hot
Agoria – Speechless (feat Carl Craig)
Kindred Spirits Ensemble – Shining Liberation (Tom Trago Remixes)

June 2011 – House Mix by Soul-Identity Music on Mixcloud